Judges Report – Book of the Year Awards 2014



 The total number of entries for the 2014 Children’s Book Council of Australia Book of the Year Awards was 476. This includes 430 fiction entries and 46 non-fiction. 

Australian history dominated the content especially in the Younger and Older Readers categories and more understandably, the Eve Pownall Award. Reasons for this abundance are many, but could be attributed to the advent of the study of History in the Australian Curriculum as well as the upcoming centenary of World War I. The judges noted that many books involved Anzacs. However, it was refreshing to see differing Anzac perspectives and narratives being told, with writers and illustrators opting to use new voices and explore other stories.

It was also noted that while many books had relevant stories, endearing and intriguing characters and exquisite writing, the cover design was often a disappointment, showing little imagination or sometimes even less connection with the content. This was particularly prevalent in the Younger and Older Readers categories, where a judgment about reading a book can be arbitrarily made on looks alone.

This year, as with others, saw a number of second and third installments of a series being entered as an individual story. Despite high quality writing and storytelling many of these books failed to stand alone, requiring readers to have prior knowledge of characters, setting and plot. As a result, these books failed to reach Notable status. There were, however, exceptions to this rule where writing, plot, setting and characters combined to tell an individual narrative.

Women writers and illustrators continue to be prominent in the Notables in all categories except for Picture Books and the Eve Pownall Award. First-time authors and emerging writers combined to dominate the Short List in the Older Readers category while the Picture Book Short List was brimming with highly experienced illustrators and writers.



There were 61 books entered in the Older Readers category. They were all carefully considered, with some spirited debate before narrowing the list down to 13 Notables. The category was well represented by entries from the large publishing houses along with some from smaller ones. Within these books was a diverse range of topics and subject matter that showcased the strength and breadth of our talented Australian authors.

Crime/mystery was a recurrent theme throughout the category, involving characters disappearing, being murdered or abducted. This made for some interesting and intriguing reading. Many of these books were chilling in their content with some more believable than others.

The inclusion of social realism in many of the books gave young adults something to relate to in the search for identity and rites of passage. This was prominent in both Wildlife and The Incredible Here and Now. A number of the books dealt with disability and being different from the norm, whilst other narratives, for example You Don’t Even Know, spoke of people damaged by experiences or situations. The majority of these stories were written so beautifully it was a privilege to read them. Humour was used well and extensively to uplift difficult subjects, as seen in The First Third and Life in Outer Space, often succeeding in making the reader laugh and cry at the same time.

Historical fiction was also strongly represented, including Australia during the Depression, the World Wars, and the 70s then moving further afield to the Vietnam War, New Guinea and Europe. It was refreshing to read different stories of the Anzacs and more so with Flora’s War providing an insight into the role Australian women played in wartime conflict. It is reassuring to read such well-researched books, especially in the not so well documented areas of our history.

There was some strong fantasy and dystopian fiction, along with steam punk and gaslight genres. As many books in this group were quite often part of a series, it was difficult to accept some of these as stand alones. The ones that did stand out transported the reader with fantastic and detailed world building.

People seeking asylum and looking to find a new and better world were prominent in many different narratives, notably Refuge and The Sky So Heavy. Also present were a couple of excellent books on a post-apocalyptic theme. These books offer many different perspectives on the theme and will no doubt provide a very relevant and necessary topic for discussion.

The small selection of verse novels this year provided some good examples of characters with strong distinctive voices. One book that played with form was Run, which used physical presentation of the text to reflect the sport of parkour.

Interestingly, the Short List presented four debut novels while the remaining two books were the authors’ second published books. It is wonderful to have such strong fresh voices appearing in Australian Children’s fiction, and evidence that publishers are prepared to support and encourage new writers.



The Picture Book of the Year Award is not only recognition of the outstanding illustrations and text, but the synergy of the visual and the written elements, with the illustrations extending the depth and meaning of the text, backed up by quality design and production. It also comes with the reminder that picture books can be intended for all ages, not solely young children. Generally books in the Picture Book category demand a more sophisticated level of visual literacy from readers.

The judging criteria for the Picture Book Award demands not only exceptional storytelling, but also strong themes, characterisation, plotting, and beautifully composed and rendered illustration in a sympathetic design backed up by solid production values by the publisher. As in previous years, the entries tackled contemporary and large-scale social issues, framing them in an accessible format for young people. A number of excellent books represented those displaced physically, culturally and emotionally. These were explored both lightly and in depth. Themes included problem solving, in King Pig, characters who grow and learn (especially in a cautionary tale), Noah Dreary, being told with humour in both text and illustrations. Publishers have been discerning with illustrators who have created quality books using rich characters, atmosphere and bright colours with fine details in the pictures. This year 122 books were judged in this category, with 19 chosen as Notable books.

After the Short List was finalised, the judges noted that all shortlisted illustrators and authors were familiar names, which demonstrates a strong continuation of Australia’s current talent. The judges also noted that 3 out of the 6 shortlisted books had a single creator who both wrote the text and illustrated the book.



The Early Childhood category consists of books written for young children who are at pre-reading or the early stages of reading. This year there were 95 entries from which 16 were chosen as Notables and 6 were shortlisted. The judging of these books focused on the close relationship with early childhood development, their appeal in both topic, style and their encouragement of exploration, reflection and enjoyment of life experiences. Enriched language was sought. Judges considered that other necessary elements were illustrative styles, placement of text, appropriateness of layout, and cohesion of text and pictures.

Judges of this year’s books observed the production qualities closely and were impressed overall with the standard and variety. Many books were graced with interesting cover treatments which included padding, embossing, debossing, silver highlighted print and beckoning pictures. Among these were Baby Bedtime, Kissed By the Moon and Clementine’s Walk. Other outstanding covers were Noah Dreary, Esther’s Rainbow and The Lilac Ladies.

In many books the font chosen enhanced the text by being well placed and varied. There were many creative uses of text to augment the meaning. Books that demonstrated this were The Short Giraffe, Little Big and Scarlett and the Scratchy Moon. Endpapers were often a feature, adding interest and enriching the storyline. An outstanding example of this is Banjo and Ruby Red where in the beginning there is the morning silhouette of the farmyard and at the back, the evening. There were many creative and exciting illustrations using a wide selection of media. In I’m a Dirty Dinosaur Ann James used a brush dipped in mud and produced a delightful textured appearance.

Animals featured strongly in the entries this year including Johanna Bell’s playful repetitive dogs in Too Many Cheeky Dogs and Michelle Dawson’s sleepy animal babies in Let’s Go to Sleep. Animals were also the main characters in books where concepts were explored, particularly in the gentle pictures in Bird and Bear. Overcoming fears was a recurring theme and was found in Parachute and Hold On Tight.

The Early Childhood entries this year included many books which easily met the high standards of literary merit demanded by the award criteria. There were some books that utilised layers of meaning and sub-plots which extended the simple and sometimes complex themes of the books. The cohesion between text and illustrations was the highlight of this category where illustrators outdid themselves with variety and creativity.



With 152 entries, the Younger Readers category once again had the largest number of submissions this year. The broad range of the category (covering beginning independent readers through to upper primary children) made deliberations challenging, with a dearth of quality fiction for newly independent readers. Verse novels, previously finding success in the category, were very limited this year, as were strongly illustrated books and graphic novels for the age group, which is an interesting development.

A significant number of entries in this category were series books, many of which did not meet the CBCA criteria of standing alone, although many were of high literary standard. The Our Australian Girl novels continued to entertain and educate with strong messages and historical merit, while favourites such as Truly Tan and Violet Mackerel demonstrated that series books can indeed meet the stand-alone requirement and target the lower end of this reading age.

The influence of Australian Curriculum topics could be seen in several titles, while the usual crop of books examining war was of high quality and perhaps greater in number than usual because of the lead up to the centenary of the First World War. Historical stories and books focusing on other cultures featured strongly, such as That Boy, Jack, Through My Eyes: Shahana, To Brave The Seas: A Boy At War, The Girl Who Brought Mischief, An ANZAC Tale, The Wishbird and Light Horse Boy.

Other topics ranged over pets and animals, pirates, adventure tales, exaggerated humour, fantasy, mysteries and school stories. Most books were set in Australia, but several ventured further afield to Asia, Europe and elsewhere. One refreshing development was the increase in quality books where sport was central to the novel, including The Year My Life Broke. Some of these featured both male and female protagonists. Another favourable progression was seeing protagonists of difference becoming more common, and it was exciting to see this explored as natural rather than unusual, such as in View from the 32nd Floor and My Life As an Alphabet.

Humour featured prominently in many works, although this proved difficult to combine with high literary merit, with a preponderance of coarse jokes in the ‘funny’ books. Humour was most successful when written with a lighter touch, in novels where the jokes were integrated within the story and made sense in terms of character and plot. The Notables list provides several examples of how this can be done well, with many works bringing a smile or even laughter during reading.

Fantasy and other speculative genres presented a strong showing this year, with some truly outstanding stories set in fantastical worlds. Although mainly at the upper end of the readership, strong examples in a variety of sub-genres including steampunk and slipstream, stood alongside more traditional works, with books such as Song for a Scarlet Runner, A Very Unusual Pursuit and Ice Breaker providing engaging and intriguing reading.

Books varied widely in production styles and values, although paperbacks dominated the category. The judges noted that cover artwork, typography and internal design were not of a consistently high quality, which was disappointing. While the adage may be ‘don’t judge a book by its cover’, in reality, young readers do appreciate and enjoy publications that entice them. It is gratifying to see that Australian publishing for this age group is alive and well with a continuing increase in number and variety of titles even though the literary quality was mixed this year.




This year, judges for the Eve Pownall Award examined a total of 46 entries, as opposed to 57 entered in 2013. This year also saw fewer entries from the publication houses of museums and art galleries. Some imaginative presentations of factual material were depicted through cartoons and graphic novels. Books that stood out for their visual appeal paid particular attention to good layout, fine photography and illustrations of diverse media which enhanced the verbal text. The books selected as Notable Books represent thoughtful, imaginative productions with narrative consistency. Those selected for the Short List were obviously well researched, used authentic sources and offered new insight into their subject areas.

Amongst the themes explored, over a third of the entries were biographical, reflecting a diverse range of styles and presentation. Themes included narratives of exploration, colonial and war histories, those of the two World Wars and the Vietnam War. The predominant theme this year was environmental, including expositions of Australian native fauna. Art books also featured amongst the range of instructional books. Indigenous themes included cultural, autobiographical and colonial history stories.

Many of the titles submitted will be relevant to specific subject areas of the Australian curriculum, including some that may well have been contracted works to meet an area of need as identified by the publisher. There were several cases of writers’ lapses in accuracy with regard to their subject matter. Judges noted that it is vital to the integrity of an information book that all facts are accurate and occasional lapses in this regard are unfortunate. As the prime intention of books considered for this award is the documenting of factual material, references should be accurate, current and accessible to the reader.



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